Posts Tagged ‘Castle Point’

Hello everyone! A few more weeks then BTP will be returning back to normal; exploring, blogging and documenting. Last Thursday we were fortunate enough to be invited by Chris Fenwick, band manager, to the V.I.P. opening of the Dr. Feelgood Exhibition at the Canvey Club. We attended in some contemporary rock n’ roll clothes and had a great night, learning a lot more about the Band. We attended with our guest for the evening, Alan Taylor, a massive fan! It featured a plethora of Feelgood merchandise, memorabilia  and cuttings, and was excellent for giving us the Feelgood factor of what the band were really all about. We spoke to people who had travellled from Scotland, Finland, and even Holland to visit Canvey Island, to them trademarked with the stamp of Dr. Feelgood. It just showed how popular the band was during the mid seventies, and the image they put out of Canvey.

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Left to right – Liam Heatherson, Joe Mander, Phil Mitchel, Chris Fenwick, Kevin Morris, Alan Taylor.

We were fortunate enough to get interviews with Phil Mitchel (base guitar since 1980s), Kevin Morris (drummer since 1980s), Chris Fenwick (long-term manager) and due to audio issues, we will hopefully be getting one with Chris Fenwick soon. The exhibition site describes the evening as:

Take a journey through the early years when Lee, Wilko,
Sparko and the Big Figure cut their teeth on Canvey Island
before exploding onto the London pub rock scene.

View an incredible collection of concert posters, record
sleeves, press cuttings and previously unseen photographs
from the days of Down By The Jetty and Milk and Alcohol
all the way through to the modern era.

Never before assembled in one place, this is a unique
opportunity to get close to the artefacts and imagery
from one of the worlds most exciting live bands.

This was our first time in the club and it’s really warm and cosy inside making it an amazing evening for all Feelgood fans and even people who want to find out more! The band played in the fireplace for the best part of a year inside this historic old shack, just before they hit the mainstream.


 

Chris Fenwick Walks

To coincide with the exhibition a number of Chis Fenwick’s famous Canvey Walks, have been organised, visiting Canvey’s most infamous spots and Feelgood hide-outs. The walks will start at 10:30am at The Lobstersmack, Canvey on the following days:

  • 10th May
  • 17th May
  • 24th May

finishing at The Canvey Club. The walk is approximately 2 hours with no booking necessary – just turn up.

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This map, from the unbeatable, comprehensive Dowd’s Canvey Cyclopedia (http://freepages.genealogy.rootsweb.ancestry.com/~canvey/index_files/canveycyclopediafacts.htm) labels the various farms across Canvey in 1850, the days when Canvey was still but farmland and a small village, much like the Wild West, as I like to allude to! Only few of these actually remain today, with Brickhouse Farm being one of the only still in operation. So, where did all the rest go? Well, a majority became left abandoned, and most were built on as land was taken up by development. Only few survived on the land which today is west Canvey; a large area of wilderness which has escaped money-maker’s development. It remains much like it has been for hundreds of years, especially Bowers Marsh. Waterside Farmhouse still stands as the recycling centre today. We made it our mission to uncover the sites of two particular farms which lay on land not covered at by human expansion – Pantile Farm, and Tree (Southwick) Farm. I will say now that the farms in question no longer structurally exist. However, the sites of these two farm houses caught my eye as being on untouched ground – I decided that the remains from their demolition, from as much as a few decades ago, must still be there.

Farm Map

Myself, BTP Joe Mander, and guest explorer Sam Hill, took the trek out into Canvey’s countryside to investigate the sites of these farms – probably the first with the specific intention for many years. We parked in the recently established RSPB Nature Reserve West Canvey car park. We then set west for the current seawall, which had been there for around 200 years, made only of as grassy bank. Our findings of the first farm site are below:

Pantile Farm

Despite the buildings being recorded as standing as long ago as 1777, on Chapman and Andre’s map, the farmhouse has probably stood up until several decades ago. The date of the construction of the main farmhouse at Pantile is unclear. We were walking along the site of the farmhouse, characterized by raised ground and greener ground foliage, when we felt something hard underfoot. We pulled up some of the grass, and instantly came across the foundations of brick walls which made up the farmhouse. They were classic Victorian red terracotta bricks, characteristic of late Victorian architecture. However, the farmhouse can be seen derelict in this 1935 photograph, meaning the farmhouse could have been constructed earlier. Bricks for the farmhouse would probably have been of local origin, perhaps from the brick factories of Benfleet or Hadleigh. This means that it is hard to class the bricks as part of that Victorian movement of red brick, so the house could have been the same one from its initial construction, sometime probably in the 1700s. Pulling it away further from the red brick being of the Victorian era, the farmhouse appears to be of earlier style, not Victorian, in which brick would have been used extensively. Instead, brick appears to make up only the base of the building, and the rest being either made entirely of wooden timbers, or the brick walls lined with wooden timbers. The architectural style would suit that of the 1700s (although farmhouses were private constructions and m,ay not follow any contemporary style), and bricks found in the bushes, which had been weathered and overgrown, appeared to be of earlier than Victorian origin. Therefore this was probably was the initial farmhouse, which had never been replaced since the 170os. However, little mention of the farmhouse appears in anywhere before the mid 1800s. The bricks were layed short-ways next to each other, which is quite unconventional – probably to make a wall only one brick wide as cheap as possible, without it being too thin. Either that, or it could have been the step to the front entrance – the bricks from the first layer protrude. In fact, neither layer of the the bricks showed signs that there would have been more layers on top, meaning that it could well have been a step. Bricks elsewhere were layed usually, length-ways. Therefore the bit we found was probably steps/not the main walls of the farmhouse.

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   Joe also found a piece of wooden timber in the grass, probably that of what lined the farmhouse in the photograph. The wood had a very dark rotten aesthetic, and it looked several hundreds of years old. It was about 1 meter long, and found lying out of place just under the grass foliage. It is lucky to have survived as long as it has, and looked older than the Victorian era. Whether the farmhouse which remains archaeologically today was built in the Victorian era, or several hundreds of years before, will remain a mystery. The farm was known as ‘Pantile Farm’ from 1774, and before was called ‘Longwick farm’. The house in fact follows Dutch style. Graham Stevens from the Canvey Community Archive stated that: “The name has always fascinated me because I could see no direct Canvey connection(marsh,wick etc). This has prompted me to do a little research on ‘pantiles’ as roofing material and find that they first appeared in Eastern England in the 17th cent and they were imported from, guess where? Holland! So it would appear our farm was named after it’s roof-tiles which could have arrived on Canvey as imports or more likely as ballast on Dutch eel-boats plying between Holehaven and Holland. P.S. The floor of Furtherwick Farm was reputed to be made of Dutch bricks originally used as ballast.” Some bricks in the bushes were found to be coated in a thick tar-like substance, which was again quite old in appearance. A section of reddish tiel was also found, possibly a piece of the infamous Dutch ‘pantile’. It is worth noting that archaeological digs took place on the site in 1995-6. One thing however is almost certain – the farmhouse would not have been built in the late Victorian era, because it was shown in the photo above to be long abandoned by 1935 – it probably was built and used long before then.

It is described in 1867 as:

“Pantile” belongs to E. Woodard, of Billericay, and likewise “Kersey,” situate in South Bemfleet.He purchased these farms of King’s College, Cam­bridge ; they were formerly parcel of Kersey Priory, at Hadleigh in Suffolk.

Tree Farm

The next farm was Southwick Farm, the most commonly known ‘Tree Farm’ on Canvey (there were several). It lied behind the seawall north of Northwick Road’s very end. The fact that both farmhouses were built near the wall indicates that a house with a view was clearly what farmers would usually go for! Up until recently, the site of the farmhouse would have been sheltered by small trees, although upon arrival we saw these had been cleared. The ground either side of the path through the middle was very flat, as if it had once been flattened for foundations of a building. The same ground plant which grew on the Pantile site also grew here too.

The below photograph, from possibly the 1990s, shows the site when it was last investigated. The main difference is that the tress are still standing.

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In ‘The History of the Rochford Hundred’ book, 1867, by Philip Benton, the farm is described as this:

“Southwick Marsh” otherwise “Tree Farm,” in the parish of North Bemfleet, was formerly the property of Col. Wm. Brewse Kersteman; it was purchased by Jonathan Wood, and being sold by the trustees under his will, was bought by H. N. Wood (testator’s son).

We also know that the farm was used as a household beyond 1954, and was demolished some decades ago. It is described by SEAX Archeology as

Single-storied house with attics, timber-framed and weatherboarded, with thatched roofs. Built in the 17th century, the house is of central-chimney type with `modern additions’ to the rear and an original central chimneystack. <1> On OScard (1955) as `site of’ and deleted from OS field document. <2> <3> Nothing shown on OS 1:25000 map. <4> House shown on C and A map, 1777. <5> Demarcated on all sides by a ditch. Trackway leads in from south drains either side. Some tipping within area and farm track runs N/S through centre of site. Footings of building and ancillary structures probably survive beneath surface. Main damage to site caused by track cutting into sub soil <6>

Whether it used concrete or not in some part of its structure, we did find a small sudden mound on the site, which had chunks of concrete lying next to it, which looked old and rough, with small stones in it. We also found some old wood which was certainly rotten, and appeared to have once been a set of shaped timbers, which we know the structure was built from originally. We also finally found some brickwork pieces, which looked like red terracotta brick again. It had a glaze or tile cemented onto one side of it – perhaps from the floor? What the house was made from again remains a mystery, but there is the evidence.

As a final note, I can say this minor expedition was very successful, and remains were established of both farms. It would appear that if you were to remove the top soil from the site for Pantile, the building’s actual wall outlines e.t.c. would be clearly visible. A further investigation will be carried out at a later date now we have further knowledge, and we will come more equipped. This is the first time the remains of Pantile and Tree Farm have been recorded since demolition (or in the case of Pantile, since the aforementioned archaeological dig in the 90s). We are certainly the first to provide pictorial evidence. A video of our discovery will also be featured, and will appear shortly on this page. I will leave you with these two captivating images made using  Adobe Photoshop by Sam Hill, who joined us on the trip. He has merged images of the Tree Farm site and the old photo of the ruined Pantile Farmhouse, to create a representation of what it might look like to stumble across one of Canvey’s many old farmhouses, if one stood derelict today. Note this is not specifically meant to depict either of the two farms featured.

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Hello BTP readers and welcome again to another blog post! We are approaching 30,00 website views a massive amount for our website which is approaching 2 years old later this year! Over the next few months (until the start of July) we won’t be posting as many posts as we did last year due to myself and BTP Liam having exams and a lot of work to do however we will be doing at least 2 month for you. Things will be back to normal at July and we have some exciting plans for the east half term and also the 6 weeks that we have off before starting college/6th form.

Most adults will know who Dr Feelgood are and those that listen to the Castle View Radio (CVFM) would have heard me talking about them on Tuesday. Dr. Feelgood are a British pub rock band formed in 1971 originating from Canvey. Hailing from the island they are best known for early singles like “Back in the Night” and “Roxette”. Although their most commercially productive years were the early to mid 1970s. They continue to tour and record to this day with them coming to the Oysterfleet this weekend! The group’s original distinctively British R&B sound was centred on Wilko Johnson’s choppy guitar style.

Wilko Johnson

Like many pub rock acts, Dr. Feelgood were known primarily for their high energy live performances, although studio albums like Down by the Jetty (1974) and Malpractice (1975) were also popular. Their breakthrough 1976 album, Stupidity, reached number one in the UK Albums Chart which was their only chart topper. But after the follow-up Sneakin’ Suspicion, Johnson left the group. He was replaced by John ‘Gypie’ Mayo. With Mayo, the band was never as popular as with Johnson. Down by the Jetty is a very iconic song by the group and a very interesting one for us! The album cover can be seen below with a Canvey Jetty in the background.

The original album

Later Years

The band then suffered an almost career-finishing blow, when Brilleaux died of cancer on 7 April 1994 however their memory never died. Every year since Brilleaux’s death in a special concert, known as the Lee Brilleaux Birthday Memorial, is held on Canvey Island, where ex and current Feelgoods celebrate the music of Dr. Feelgood, and raise money for The Fair Havens Hospice in Westcliff-on-Sea. Fans attend from all over the globe, and the 17th event was held on 7 May 2010. Although still based in the UK, Dr. Feelgood continue to play across the world, with concerts in 2010 including, Austria, Bahrain, Belgium, Finland, France, the Netherlands, Italy, Spain and Switzerland

A film by Julien Temple about the very early days of the band, Oil City Confidential, premiered at the London Film Festival on 22 October 2009, and received a standing ovation. Guest of honour was Lee Brilleaux’s mother Joan Collinson, along with his widow Shirley and children Kelly and Nick. All the surviving members of the original band were present along with manager Chris Fenwick. Reviewing the film for The Independent, Nick Hasted concluded: “Feelgood are remembered in rock history, if at all, as John the Baptists to punk’s messiahs”. On general release from 1 February 2010, the film has been critically well received, with Peter Bradshaw of The Guardian describing it as “ ..a vivid study of period, music and place”. The film was broadcast on BBC Four in April 2010, September 2010 and on 15 March 2013.

Wilko Johnson – An Inspiration

Wilko lives in Southend and has an interest in astronomy, painting and poetry. He married his childhood sweetheart Irene Knight when they were teenagers, and had a son, Simon. Johnson was widowed in 2004 when Irene died. Johnson was forced to cancel a show in November 2012 when he was rushed to hospital with an undisclosed illness. He was diagnosed in January 2013 as having untreatable pancreatic cancer, and has chosen not to receive any chemotherapy. On 25 January 2013, he gave an interview on BBC Radio 4 discussing his terminal cancer, and said that doctors have told him he has nine or ten months to live. He talked about his “farewell tour” of the UK set for March, and how his diagnosis has made him feel “vividly alive”.

Thursday 31st January 2013 marks 60 long years since Canvey Island was hit by an abnormal storm causing mass flooding and damage to many many people’s property and lives. The horrific event terrorised Canvey however the whole of the Essex coast was affected as well as other places.

Canvey+Island,+Essex

Saturday 31st January 1953 began in Essex like any other mid-winter Saturday, however the outcome was a surprising revelation for everyone… On Canvey the new memorial hall, gaily bedecked with bunting, was publicly dedicated in the afternoon to the memory of local men who lost their lives in the Second World War. On the mainland opposite Canvey, caretakers and cleaners gave the new Benfleet secondary school in Shipwrights Drive, sometimes referred to locally as ‘The Palace’, the final polish for its official opening. At 11pm at Tewkes Creek the wind was fresh, cold and fierce. Shortly before midnight, one or two nightfarers, who was a Roman Catholic Priest who was old visiting a sick parishioner. In the bright moonlight he saw the tide lapping the top of the wall. In the Sunken Marsh a river board employee who lived nearby realised that the tide was rising rapidly. At might night, the chilling water was closing in on the whole of the Essex coast. Flooding in varying degrees had begun, and was spreading as the tide continued its inexorable rise and overwhelmed the defences on an ever-lengthening front which the weight, height and duration of its attack.  At this time, just before 1am, dykes were starting to overflow and the electricity board has received a report of a fault on Canvey due to flooding. At 12:50am, the water was at the top of the wall at Smallgains, this section in fact has recently been raised and thickened and was about a foot and a half higher that the wall at Tewkes Creek. One of the river board’s men was blowing his whistle, which echoed in the howling wind. This was just gone 1am. A few minutes after this, the chairman had rung the police station to tell the sergeant that the flood boards at Canvey Bridge had been overtopped. The Police sergeant met a constable out on a bicycle patrol who was about to telephone the police station because although the tide the water was still a foot below the top of the wall, it was extremely high for the stage of the tide.

1am February 1st - Meanwhile, at the Newlands, the 2 river board men and a group of gathered dedicated citizens tried to rouse the elderly and the young. Stumbling in the moonlight across the muddy rutty unmade roads, up and down garden paths then went knocking, shouting and even one screeching at his whistle as a last attempt to save fellow Islanders. With the howling noise of the wind, corrugated roofs, wrought iron gates and loose shed doors it was a difficult task to stir residents.  However many people had no warning and were awakened by the sudden roar as the wall burst, by the swish of the water as it rushed past, by the clatter and crash of the debris striking the house, by the noise of splitting timber and smashing glass. Half-awake, dazed and bewildered, as they struggled to escape from this violent, engulfing nightmare, to reach the outdoor staircases to their lofts, or to fight their way through the tumult outside, to go to the aid of elderly relatives or neighbours living nearby, successive waves charging through the walls swept them off the feet, breathless and numb from the icy impact. The margin between life and death was a matter of seconds as the water gushed through shattered windows and doors, and, impounded as it was in the Sunken Marsh by the inland counter wall, with no means of dispersal; it rose rapidly to a lethal depth.

Many who clambered on chairs, tables, cookers, mangled-tables and step-ladders, to keep their heads above the water or to make holes in the flimsy ceilings in order to escape into the roof space or out onto the roof, found their supports swept away from under their feet, leaving them fighting in the dark with floating furniture, clutching desperately at fanlights and the tops of doors and wardrobes, and trying to hold children up above the suffocating water. The Sunken Marsh was well described as a ‘basin of death’… By 1:25am the water was above windowsill level at the Newlands end of the Sunken Marsh, and, over topping the counter wall, was already pouring over it into the low ground between the counter wall and the High Street.

Have lessons been learnt though?

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This is just a little bit of what happened on that awful night. Liam and I are in the process of filming a documentary DVD to commemorate those that died and also the people that were affected by the floods. We are attending several events to pay our respects and also to film. If you have a story on the floods or know someone that does, we would be greatful if you would share it with us.

In 1940, The British Expeditionary Force, Britain’s main army, was sent into France to help the French troops drive back the Germans during the first British assault of World War Two. However they were rapidly struck back, and were left in pieces on the French coast from which they arrived. With the Germans closing in fast, and nowhere to go but the English Channel, these troops were evacuated via Operation Dynamo, commonly known as the ‘Battle of Dunkirk; which lasted from the 26th of May to the 4th of June. ‘The Little Ships’ were some 700 privately owned boats (mainly fishing boats) owned by British citizens, which were volunteers who responded to the call for private small boats to come to Dunkirk and rescue the cornered remains of the British fighting force. One such boat, built in 1937, came from Burnham-on-Crouch, and remains burnt after arson in Smallgain’s Boat Yard on Canvey to-date. It was a 6-man boat designed to catch oysters via ‘dredging’ – a method which involved lifting up sediments from the seabed and capturing fish (or in this case mollusks) in a net. Its remains can be seen publicly to this day, and was in fine shape until its recent attack.

 

The Vanguard in dredging use in its prime

The boat pre-damage not long ago

The boat pre-damage not long ago

The boat was heavily damaged a few years ago due to a fire.

The boat was heavily damaged a few years ago due to a fire.

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CK69

Internal Gubbings - Image by Dave Bullock

Internal Gubbings – Image by Dave Bullock

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CK69

 

 

 

 

This ‘Association of Dunkirk Little Ships’ website details her:

Boat Specification

Boat Name:

Vanguard

Boat Type:

Oyster Smack

Boat Length:

45ft

Boat Beam:

14ft 6ins

Boat Draft:

4ft 6ins

Boat Displacement:

11.5 tons

Boat Engine:

Kelvin 44

Boat Construction:

Pitch pine on oak

Boat Builder:

R & J Prior, Burnham

Boat Year:

1937

Working boats are designed to suit their trade and the waters in which they earn their living. Our East coast rivers are muddy, tidal and tricky to navigate. But the oyster fishermen of the region know their waters like the back of their hands and their boats are designed to suit them, with a shallow draft, a low freeboard and wide decks to provide ideal working platforms. The Burnham Oyster Company had Vanguard purpose-built for dredging and she was designed to turn in her own length. Her deck allowed six men to work in comfort hauling in the nets. The deckhouse provided the minimum of shelter. Vanguard certainly was not intended for the open sea and would roll like a pig in anything above force 5.

Skipper Grimwade took her across to Dunkirk in 1940 with Joe Clough as his engineer. They went with another oyster dredger, the Seasalter which also survived and a ketch called Ma Joie which was abandoned and lost. They could not get into Dunkirk harbour, so they picked up the men from the beaches and 24 hours later, arrived back at Ramsgate loaded with troops.

At the end of the war, Keeble & Sons of Paglesham, Essex bought the Vanguard and put her back to oyster dredging which their family had done on the rivers Roach and Crouch for fifty years on thirty-four acres of rented oyster beds. But the bad winter of 1962 decimated the oyster population.

Those which survived the ice and the cold and succeeded in breeding since then, are now faced with the increasing hazards of pollution. So W. Keeble sold Vanguard to Ron Pipe, a fisherman at Burnham-on-Crouch, who used her for in-shore fishing for a while and sold her again. Ten years later, Doug Whiting bought her back from another owner in a sorry state. Now he has enlarged her wheel-house, given up oyster fishing and has taken up shrimping on the Roach and Crouch.

Since then she has changed hands again.

About a month or so a go, we set out to Benfleet to visit the Thundersley Glen woodland area. Unlike our usual visits, we didn’t have much knowledge off the site, apart from some that BTP Liam had, due to visiting it in the past and some of his family living near.

When we arrived at the site, it backed up our thought, that it was nothing more than just woods, and little historic significance. Scattered around the woods are small bridges and pipes and the only locations that we knew of was a meadow and an island.

One of the bridges

A bottle end on a tree

When we arrived at the ‘island’ it was far more overgrown to what BTP Liam remembered, 4 years ago.

The Island

The Island

An ‘orange’ stream probably caused by rust.

We later stumbled across a sign of the woods which said:

It’s 25 acres of open parkland and mature oak and dense shrubs. The trees and clearings reveal clues to woodland clearance and farming. The glen was once part of a much larger woods however expansion and building has taken up most of it. It belonged to the manor of Jervis Hall and by the 19th century much of the woodland had been destroyed. The maps of 1843 show the glen as arable farmland except for a small amount of woodland in the south-west. An orchard was established and land was farmed for a short time before it was abandoned and taken over by the trees to become a woodland. It is now managed by Castle Point Council as a public open space.

Watch the documentary above for more information and also learn about the ‘Devil Steps’ at 10:10. I now leave you with something that sums up what we sometimes do to reveal the unseen history of South-East Essex!

Something was in my eye so I couldn’t read….. ;)